Skip to content

A note from the masthead

We started Odekake Club in 2019 because the Japan we knew wasn't the one the guidebooks were selling.

For ten years we edited travel magazines in Tokyo — Anna at Condé Nast Traveler, Kenji at Brutus — and watched the same ten shrines, the same three ramen counters, the same Kyoto alley get rewritten by every new site that opened its CMS. The country we lived in had 47 prefectures and roughly a century of regional subcultures, and almost none of it was being reported on in English by anyone who actually lived there.

So we left, took six months to walk the Shimanami Kaido with notebooks, and built a publication shaped like the thing we wished we could read: long, slow, place-specific, paid for out of our own pockets, and checked by a Japanese-language editor before it shipped. Seven years later we are 14 staff in Tokyo and Lisbon, 38 regional contributors across all 47 prefectures, and the database sits at 3,200+ vetted spots. The premise has not changed. Real reporting, no SEO.

— Anna Whitford & Kenji Mori, founders

Operating standards

What “verified by a regional editor” actually means in our process.

Every recommendation on this site has passed through four fixed gates. None of them are optional, and none of them are outsourced to a content assistant.

  1. 01

    Re-verified every 12 months

    A regional editor walks back into the izakaya, kissaten, sento, ryokan or boutique and re-checks the room, the menu, the hours and the welcome. Listings that have drifted — a chef who left, a bath under renovation — are pulled within the quarter. The average guide on the site is updated every 9 months, faster than any major English-language competitor covering Japan.

  2. 02

    Reader-tested itineraries

    Every published route has been walked end-to-end by at least two contributors within the last 18 months. We do not publish an itinerary on the strength of a desk edit; somebody has carried a suitcase over it in the season we are recommending it for.

  3. 03

    In-house Japanese fact-checkers

    A two-person team reviews every guide before publication for transit fares, seasonal closures, and the small pricing details that English-language sites routinely get wrong. If we cannot verify a price, train time or business hour in the current season, we leave it out rather than guess.

  4. 04

    Disclosure policy, co-written with SATW

    Our ethics and disclosure policy was co-written with the Society of American Travel Writers. All reviews are paid for at full cost. The site carries zero sponsored content. Corrections are posted publicly, with the date and the editor who signed off on the original.

The regional network

Six of the 38 regional editors who file from the prefectures you actually want to visit.

We are place-specific on purpose. The person writing the guide to a Kanazawa kissaten lives within walking distance of it; the person writing the Tōno farm-stay list grew up in the basin. Below: a sample of the roster.

Miho Tachibana, regional editor for Kyoto

Kyoto · kissaten & machiya stays

Miho Tachibana

Sixth-generation Kyoto native who has been writing the prefecture's kissaten list for us since issue one. Files from Nakagyō and Higashiyama.

Hideki Matsuda, regional editor for Ishikawa

Ishikawa · craft, market food, Noto

Hideki Matsuda

Spent fourteen years at a Hokuriku craft museum before joining the network. Walks the Noto peninsula four times a year to keep the rural listings honest.

Sara Endo, regional editor for Tōhoku

Tōhoku · rural ryokan & festivals

Sara Endo

Half-American, half-Tōno. Files the rural Tōhoku beat and translates the kagura festival calendar every winter. Has walked the Tōno line so often she has stopped counting.

Daichi Kuroda, regional editor for Fukuoka

Fukuoka · yatai, motsuni, Kitakyūshū

Daichi Kuroda

Trained as a sociologist at Kyūshū University. Files the Fukuoka yatai beat and runs our Hakata ramen counter reviews. Eats motsuni for breakfast.

Aya Saitō, regional editor for Kantō crafts

Tochigi · Mashiko pottery, Nikkō side routes

Aya Saitō

Studio potter who turned a side practice into the Kantō craft beat. Maintains our Mashiko, Kasama and Tochigi listings and writes the Nikkō “without the crowds” route.

Tom Beale, regional editor for Okinawa

Okinawa · islands, sanshin, slow food

Tom Beale

British journalist based in Naha for the past nine years. Files the Okinawa island beat and the Ryūkyū restaurant list. Speaks conversational Okinawan.

Plus 32 more regional editors across Hokkaidō, the San'in coast, Shikoku, the Izu islands and every remaining prefecture. See the full roster →

By the numbers

The numbers that distinguish a staffed newsroom from a content farm.

3,200+

independently verified spots in the editorial database — re-checked every 12 months

38

regional editors filing from all 47 prefectures — more than any English-language Japan publication in operation

9 mo

average update cycle for a published guide, faster than any major English-language competitor covering Japan

0

sponsored posts carried on the site since founding. All reviews are paid for, all disclosure is published.

The trust line

“Every trip we recommend, we pay for. Every review we publish, we sign. Every correction, we post publicly, with the date and the editor who originally signed off. We carry no sponsored content. We will not link to a booking partner unless the partnership has been re-verified in the last quarter, and we will tell you when we have one. This policy was co-written with the Society of American Travel Writers and is reviewed every January.”

— The Odekake Club editorial standards, as filed with the SATW ethics committee.
Read the full ethics & disclosure policy →

Frequently asked

Questions readers actually ask about how Odekake Club works.

Is Odekake Club editorially independent?
Yes. The site is owned by Odekake Club K.K. and funded by the Konbini Dispatch newsletter, reader memberships and partner booking links that are disclosed at the point of recommendation. We accept no sponsored content and no free trips. Our ethics and disclosure policy was co-written with the Society of American Travel Writers.
How do you make money if you don't run sponsored posts?
Three revenue lines: the Konbini Dispatch newsletter (free, supported by a small reader-membership tier), verified partner links to 86 family-run ryokan and 24 regional DMO offices, and licensing of our itineraries to a handful of tour operators under the same disclosure rules we apply to ourselves. Every paid relationship is flagged at the link.
How does a listing get into the database, and how does it get removed?
Every spot in the database is nominated by a regional editor, visited twice in different seasons, then entered with notes on the room, the food, the welcome and the price band. A regional editor re-visits each spot at least every 12 months. If a place has drifted — a chef who left, a bath closed for renovation, prices that no longer match the experience — it is pulled within the quarter. We do not maintain listings we have not re-checked.
Can I contribute, or pitch a guide?
We are not currently expanding the regional network, but we read every pitch. Send a 300-word note, two clips, and the prefecture you actually live in to the editorial desk at [email protected]. We answer within ten working days. Please do not send AI-generated drafts; they go straight to the recycling bin.

That is, in full, who is behind the bylines and what we will and won't do.

Join the Club — Free Dispatch